Over the course of a decade and 6 albums, Estevan and his brother Alejandro Gutiérrez have spun instrumental gold with their intricately intertwined guitars. The critically-acclaimed duo has commingled two continents worth of Latin sounds, surf music, western flourishes and melancholia to conjure a variety of landscapes and moods. To coincide with the release of their new album ‘ Los Ojos Del Cóndor’ they have just announced a headline show for Vicar Street on the 5th of March 2027.

Tickets will go on sale Friday 9th of October at 10am via Ticketmaster here. Sign up for presale here.

With Los Ojos Del Cóndor, Hermanos Gutiérrez take flight.

“This is a love letter to South America,” says Alejandro Gutiérrez. “What we want to do with this record is to invite people to come on another journey with us, this time through the Andes and to create a curiosity for this culture and for this part of the world.” 

Produced once again with Dan Auerbach of The Black Keys at his Easy Eye Sound studios in Nashville, the Swiss-Ecuadorian siblings reach a new stage in their storytelling with 10 tracks that tightly bind them to their roots and introduce a clutch of new colors to their palette.

The culture that shaped and continues to shape them is rooted not just in their mother’s native Ecuador and great-grandmother’s Peruvian heritage, but also the continent-spanning expanse of the Andean mountain range, the cerulean shores of the Pacific ebbing and flowing on the west coast, the sounds of Argentinean milonga and the Peruvian-Colombian melange of Cumbia and so much more. 

“As brothers, we are very similar, but then also we have different tastes,” says Estevan of the pair’s push into new sounds. “For example, I love salsa, my brother loves cumbia. For somebody that doesn’t know Latin music they think, ‘It’s almost the same,’ But it’s not. So whenever we compose new stuff, you can always hear that difference.” It’s in those cracks where the duo thrives and innovates.  “I really love Los Ojos Del Condor because we try to go back to the roots when we started as just two guitars, and I played this whole album on the nylon guitar that I got from my dad when I was 8.”